Artist Name: Puddle of MuddArtist Biography:Wesley Reid Scantlin (voca Traducción - Artist Name: Puddle of MuddArtist Biography:Wesley Reid Scantlin (voca español cómo decir

Artist Name: Puddle of MuddArtist B



Artist Name: Puddle of Mudd
Artist Biography:

Wesley Reid Scantlin (vocals/guitar)
Doug Ardito (bass guitar/backing vocals)
Christian Stone (guitar/backing vocals)
Shannon Boone (drums)
Adam (Dizzi Devereux) Latiff (guitar/backing vocals)

Ask Puddle of Mudd frontman Wes Scantlin about the writing and recording of the album Volume 4: Songs in the Key of Love & Hate, and he responds with the same spirit of carefree wanderlust that defines his band: "It's all easy peezy, dude, no big deal at all..."

Not to him, maybe. Wes Scantlin is custom-made for the new millennium, a rock star without the pretense, and a frontman whose spontaneity propels his offstage personality as much as it does his onstage delivery. "Wes is constantly adjusting to the vibe in the room, throwing his flavor in there and constantly trying to make people laugh," explains bassist Doug Ardito. "He doesn't do the David Lee Roth thing, where he delivers the same lines every night, he's completely off-the-cuff."

On Volume 4, Scantlin does deliver the same savvy lyrics that fans have come to expect since the band's multi-platinum debut, Come Clean, weaving subtle innuendo and not-so-subtle lyrical wordplay around vocal hooks so thick, they even seem to make life's more sour realities easier to swallow. Case in point, "Psycho," the smash single from the band's 2007 release Famous that rationalizes a relationship with, 'maybe I'm the one, who is, a schizophrenic psycho.'

Famous, like both albums before it, was certified Gold after selling more than 500,000 copies in America alone. Propelled by "Psycho," the album cemented Puddle of Mudd's status as bona-fide hit makers, and earned them industry accolades including Billboard's No. 1 Mainstream Rock Song of 2008 and No. 2 Rock Band of the Year, where they finished second only to the Foo Fighters. Keeping in that tradition, the new album goes down like the smoothest shot you'll ever take. No chaser required - unless, like Scantlin and guitarist Paul Phillips, you opt for a cold, frosty one.

Volume 4 is a homecoming for Phillips, who left the band shortly into the recording process for Famous. Despite the success of "Psycho," something was missing, and when Phillips and Scantlin reconnected earlier this year, all the prior tension had melted away and their chemistry was rediscovered.

"This was probably the easiest and most collaborative record we've ever made," said Phillips, who described the process as, "a piece of cake, man" - on the sliding scale of Puddle of Mudd-speak, a description that's right up there with "easy peezy." "I stayed at Wes' house, and we had a lot of late-night writing sessions over a bottle of Kettle One and a bottle of Southern Comfort. Just the two of us on his couch with acoustic guitars, and I'd record sh*t on this little hand-held recorder, play it back the next day, and not remember any of it!"

Even if they are exaggerating just a little, it still speaks volumes to the innate chemistry within the band, a chemistry that resonates throughout Volume 4. Lead single "Spaceship" blasts off into the Puddle of Mudd stratosphere of mixed metaphors and sexually-charged sing-alongs. Let's just say that the spaceship isn't the only thing blasting off.

Given the band's radio success - "Blurry" was the most-played song across all rock formats in 2001, delivered on the heels of their breakthrough single "Control, " aka "the smack my *ss song" - it might seem a stretch to call Puddle of Mudd underrated, but they really are. Some judged the band by Scantlin's grunge-meets-surfer shoulder-length hair, while others chose to write them off as little more than a radio band. But those critics have been proven wrong on all accounts. Puddle of Mudd are who they are, and they are not trying to be anything else. What you see is what you get, even if what you see may be, at times, a little blurry.

"We just keep writing hooky and catchy stuff, because that's how we write," offers Wes, again, not exactly shining a bright light on the creative process, but speaking with a candor as engaging as the band's music. "Being underrated is kind of cool sometimes, because you're the underdog. Kind of like Cuba Gooding, Jr. in 'Jerry Maguire,' talking about all the love he doesn't get. Play with your heart and you'll get the love. We're playing with our hearts, and we don't bitch about what we're not getting, we just keep writing hit songs. But at the end of the day, I am from Missouri - the Show Me State - so there's still a little bit of that 'show me the money' attitude!

It's that 'show me the money' spark that fuels Scantlin's lyrics, and it's a spark he doesn't see going out any time soon. "We've all got people who are trying to take us for everything, but I consider all that drama in my life a gift from God - 'This guy needs the drama so that he can keep writing endearing lyrics!' The lyrics come out of frustration, love, aggression, I write about all kinds of emotions. I'll tell you what, if I was happy all the time, these records would suck!"

So here's to a healthy dose of cynicism and a cup overflowing with snarky indifference, especially when the end result is as undeniable as Volume 4: Songs of Love & Hate. From the smoky guitar haze of "Stoned" to the supple resolve of the ballad "Keep it Together" - two songs at opposite ends of the coping spectrum - Volume 4 finds a familiar place between the two extremes. Scantlin keeps the inspiration closer to home in the marital blitz of "Pitchin' a Fit" and on "Better Place," a heartfelt tribute to a cousin who overdosed that speaks to anyone who's lost anyone they love. If punching the lunch lady is more your speed, check out "Hooky," where Scantlin's 12-year-old son even gets a writing credit.

Laying the foundation through it all is drummer Ryan Yerdon, who joined Puddle of Mudd in time to support Famous, and is now making his recorded debut with the band. "My approach to drumming is the same as my approach to music," he says, "I'm all about conviction and attitude, and they will always supersede fancy play with me. I'd rather listen to the Ramones than Rush, you know what I mean?"

Yes, we do - which is exactly why Yerdon's found the perfect fit with Puddle of Mudd. They've got conviction and attitude to spare, a bevy of hits to back their claim, and a lifetime of therapy packed into each and every release.

In the end, it may be Paul Phillips that described Volume 4: Songs of Love & Hate best: "It sounds like a Puddle of Mudd record!"

It doesn't get any more "easy peezy" than that!
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Artist Name: Puddle of Mudd
Artist Biography:

Wesley Reid Scantlin (vocals/guitar)
Doug Ardito (bass guitar/backing vocals)
Christian Stone (guitar/backing vocals)
Shannon Boone (drums)
Adam (Dizzi Devereux) Latiff (guitar/backing vocals)

Ask Puddle of Mudd frontman Wes Scantlin about the writing and recording of the album Volume 4: Songs in the Key of Love & Hate, and he responds with the same spirit of carefree wanderlust that defines his band: "It's all easy peezy, dude, no big deal at all..."

Not to him, maybe. Wes Scantlin is custom-made for the new millennium, a rock star without the pretense, and a frontman whose spontaneity propels his offstage personality as much as it does his onstage delivery. "Wes is constantly adjusting to the vibe in the room, throwing his flavor in there and constantly trying to make people laugh," explains bassist Doug Ardito. "He doesn't do the David Lee Roth thing, where he delivers the same lines every night, he's completely off-the-cuff."

On Volume 4, Scantlin does deliver the same savvy lyrics that fans have come to expect since the band's multi-platinum debut, Come Clean, weaving subtle innuendo and not-so-subtle lyrical wordplay around vocal hooks so thick, they even seem to make life's more sour realities easier to swallow. Case in point, "Psycho," the smash single from the band's 2007 release Famous that rationalizes a relationship with, 'maybe I'm the one, who is, a schizophrenic psycho.'

Famous, like both albums before it, was certified Gold after selling more than 500,000 copies in America alone. Propelled by "Psycho," the album cemented Puddle of Mudd's status as bona-fide hit makers, and earned them industry accolades including Billboard's No. 1 Mainstream Rock Song of 2008 and No. 2 Rock Band of the Year, where they finished second only to the Foo Fighters. Keeping in that tradition, the new album goes down like the smoothest shot you'll ever take. No chaser required - unless, like Scantlin and guitarist Paul Phillips, you opt for a cold, frosty one.

Volume 4 is a homecoming for Phillips, who left the band shortly into the recording process for Famous. Despite the success of "Psycho," something was missing, and when Phillips and Scantlin reconnected earlier this year, all the prior tension had melted away and their chemistry was rediscovered.

"This was probably the easiest and most collaborative record we've ever made," said Phillips, who described the process as, "a piece of cake, man" - on the sliding scale of Puddle of Mudd-speak, a description that's right up there with "easy peezy." "I stayed at Wes' house, and we had a lot of late-night writing sessions over a bottle of Kettle One and a bottle of Southern Comfort. Just the two of us on his couch with acoustic guitars, and I'd record sh*t on this little hand-held recorder, play it back the next day, and not remember any of it!"

Even if they are exaggerating just a little, it still speaks volumes to the innate chemistry within the band, a chemistry that resonates throughout Volume 4. Lead single "Spaceship" blasts off into the Puddle of Mudd stratosphere of mixed metaphors and sexually-charged sing-alongs. Let's just say that the spaceship isn't the only thing blasting off.

Given the band's radio success - "Blurry" was the most-played song across all rock formats in 2001, delivered on the heels of their breakthrough single "Control, " aka "the smack my *ss song" - it might seem a stretch to call Puddle of Mudd underrated, but they really are. Some judged the band by Scantlin's grunge-meets-surfer shoulder-length hair, while others chose to write them off as little more than a radio band. But those critics have been proven wrong on all accounts. Puddle of Mudd are who they are, and they are not trying to be anything else. What you see is what you get, even if what you see may be, at times, a little blurry.

"We just keep writing hooky and catchy stuff, because that's how we write," offers Wes, again, not exactly shining a bright light on the creative process, but speaking with a candor as engaging as the band's music. "Being underrated is kind of cool sometimes, because you're the underdog. Kind of like Cuba Gooding, Jr. in 'Jerry Maguire,' talking about all the love he doesn't get. Play with your heart and you'll get the love. We're playing with our hearts, and we don't bitch about what we're not getting, we just keep writing hit songs. But at the end of the day, I am from Missouri - the Show Me State - so there's still a little bit of that 'show me the money' attitude!

It's that 'show me the money' spark that fuels Scantlin's lyrics, and it's a spark he doesn't see going out any time soon. "We've all got people who are trying to take us for everything, but I consider all that drama in my life a gift from God - 'This guy needs the drama so that he can keep writing endearing lyrics!' The lyrics come out of frustration, love, aggression, I write about all kinds of emotions. I'll tell you what, if I was happy all the time, these records would suck!"

So here's to a healthy dose of cynicism and a cup overflowing with snarky indifference, especially when the end result is as undeniable as Volume 4: Songs of Love & Hate. From the smoky guitar haze of "Stoned" to the supple resolve of the ballad "Keep it Together" - two songs at opposite ends of the coping spectrum - Volume 4 finds a familiar place between the two extremes. Scantlin keeps the inspiration closer to home in the marital blitz of "Pitchin' a Fit" and on "Better Place," a heartfelt tribute to a cousin who overdosed that speaks to anyone who's lost anyone they love. If punching the lunch lady is more your speed, check out "Hooky," where Scantlin's 12-year-old son even gets a writing credit.

Laying the foundation through it all is drummer Ryan Yerdon, who joined Puddle of Mudd in time to support Famous, and is now making his recorded debut with the band. "My approach to drumming is the same as my approach to music," he says, "I'm all about conviction and attitude, and they will always supersede fancy play with me. I'd rather listen to the Ramones than Rush, you know what I mean?"

Yes, we do - which is exactly why Yerdon's found the perfect fit with Puddle of Mudd. They've got conviction and attitude to spare, a bevy of hits to back their claim, and a lifetime of therapy packed into each and every release.

In the end, it may be Paul Phillips that described Volume 4: Songs of Love & Hate best: "It sounds like a Puddle of Mudd record!"

It doesn't get any more "easy peezy" than that!
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nombre del Artista: Puddle Of Mudd
artista Biografía:

Wesley Reid Scantlin (voz / Guitarra)
Doug Ardito (Bass Guitar / backing vocals)
Christian Stone (guitarra / coros)
Shannon Boone (drums)
Adam (Dizzi Devereux) LATIFF (guitarra / coros)

haga Charco el frontman de Mudd Wes Scantlin sobre la escritura y la grabacion del disco volumen 4: canciones en clave de amor & odio,Y él responde con el mismo espíritu de despreocupado wanderlust que define su banda: "todo es fácil peezy, amigo, no trato grande en absoluto..."

no a él, tal vez.Wes Scantlin está hecho a medida para el nuevo milenio, una estrella de rock sin la pretensión, y un cantante cuya espontaneidad impulsa su propia personalidad tanto como lo hace su entrega en el escenario."Wes está constantemente ajustando a la vibración en la habitacion, lanzando su sabor en allí y constantemente tratando de hacer reír a la gente", explica el bajista Doug Ardito ".No hacer el David Lee Roth, donde se ofrece la misma línea cada noche, él está completamente apagado el manguito. "

en volumen 4Scantlin significa entregar el mismo Savvy letras de canciones que los fans han llegado a esperar desde el debut de la banda multi - platino, limpio, tejiendo una insinuación sutil y no tan sutil juego de palabras alrededor de vocal lírico ganchos tan espesa, que incluso parece para hacer la vida más amargas realidades más fáciles de tragar.Caso en punto, "Psycho", la Smash Single de la banda de 2007 Release famosa que racionaliza una relación con,'tal vez yo soy el uno, que es, un esquizofrénico psicópata.'

famoso, como ambos álbumes antes de ella, fue certificado Oro después de vender más de 500000 copias en Estados Unidos.Propulsado por "Psycho", el album cementado Puddle Of Mudd es condición de auténtico Hit Makers, y les valió elogios de la industria incluyendo Billboard Mainstream Rock canción nº 1 y Nº 2 de 2008 de la banda de rock del año,Donde terminaron en segundo lugar solamente a los Foo Fighters.Mantener esa tradición, el nuevo album va abajo como el mejor tiro que vas a tomar.No Chaser necesario - A menos que, como Scantlin y el guitarrista Paul Phillips, optas por un resfriado, Frosty.

volumen 4 es un regreso a casa para Phillips, quien dejó la banda poco en el proceso de grabación para famosos.A pesar del éxito de "psicópata,"Faltaba algo, y cuando Phillips y Scantlin reconectado a principios de este año, todos los anteriores la tensión había derretido y su química fue redescubierto.

" Este es probablemente el mas facil y mas colaborativa de registro que he hecho ", dijo Phillips, quien describió el proceso como" un pedazo de la torta, el Hombre "- en la escala móvil de Puddle Of Mudd hablar,Una descripción que bien arriba con "fácil peezy". "Me quedé en Wes' casa, y teníamos un montón de tarde noche sesiones de escritura sobre una botella de agua y una botella de Southern Comfort.Apenas el dos de nosotros en su sofá con guitarras acústicas, y me registro Sh * t en esta pequeña grabadora portátil, jugar de nuevo al día siguiente, y no recuerda nada de eso! "

Incluso si estan exagerando un poco, todavía habla volumenes a la innata química dentro de la banda, una química que resuena en todo el volumen 4.LEAD single "nave espacial" despega en la Puddle Of Mudd estratosfera de raza metáforas y sexualmente cargada de cantar a coro.Digamos que la nave espacial no es la única cosa volando.

Dado el éxito de la banda radio - "borroso" fue la canción más tocada de Rock en todos los formatos en 2001, emitido en los talones de su avance single "control", alias "el golpe mi * ss Song" - Podría parecer un tramo a llamar a Puddle Of Mudd subestimado, pero que realmente son.Algunos juzgados la banda por Scantlin es grunge cumple surfista pelo hasta los hombros,Mientras que otros optaron por escribir como poco más que una banda de radio.Pero los críticos se han equivocado en todas las cuentas.Puddle Of Mudd son lo que son, y ellos no están tratando de ser algo más.Lo que ves es lo que obtienes, incluso si lo que ves puede ser, a veces, un poco borrosa.

"seguimos escribiendo novillos y pegadiza cosas, porque así es como se escribe," ofrece Wes, otra vez,No es exactamente una luz brillante en el proceso creativo, pero hablando con un candor tan interesante como la música de la banda ".Ser subestimado es una especie de fresco a veces, porque tú eres el perdedor.Como Cuba Gooding, Jr. En 'Jerry Maguire, "hablando de todo el amor que no se.Jugar con tu corazón y te haré el amor.Estamos jugando con nuestros corazones,Y no quejarse de que no estamos consiguiendo, podemos seguir escribiendo canciones.¡Pero al final del día, yo soy de Missouri - el Estado Muéstrame - Así que todavía hay un poco de ese 'show me the money' actitud!

es que « Show me the money 'Spark que alimenta Scantlin letras, y es una chispa que no ver salir en cualquier momento pronto."Todos tenemos personas que están tratando de tomar nosotros para todo, pero considero que todo ese drama en mi vida un regalo de Dios - 'este tipo necesita el drama para que él pueda seguir escribiendo entrañables letras!'Las letras salen de frustración, de amor, de agresión, escribo sobre todo tipo de emociones.Te diré qué, si estaba feliz todo el tiempo, estos registros apestaría! "

Así que aquí está una saludable dosis de cinismo y una taza rebosante de sarcástica indiferencia, especialmente cuando el resultado final es tan innegable como el volumen 4: canciones de amor & odio.A partir de las Smoky Guitar Haze de "drogado" a la flexible resolver de la balada "mantener juntos" - dos canciones en los extremos opuestos del espectro de afrontamiento - Volumen 4 encuentra un lugar familiar entre los dos extremos.Scantlin mantiene la inspiración más cerca de casa, en la seccion de "Blitz pitchin 'un ataque" y el "lugar mejor", un sentido homenaje a un primo que una sobredosis que habla con alguien que ha perdido a alguien que aman.Si la perforacion de la señora del almuerzo es mas tu velocidad, consulte "novillos", donde Scantlin es hijo de 12 años incluso consigue una escritura crédito.

sentando las bases a través de todo es el baterista Ryan yerdon,Quien se unió a Puddle Of Mudd en tiempo de Apoyo de famoso, y ahora está haciendo su debut con la banda registrada ".Mi acercamiento a la batería es la misma que mi acercamiento a la música ", dice," Yo soy todo acerca de convicción y actitud, y siempre se sustituyen apetece jugar conmigo.Prefiero escuchar a los Ramones que Rush, sabes a qué me refiero? "

Si,Que hacemos - que es exactamente por qué yerdon ha encontrado el ajuste perfecto con Puddle Of Mudd.Tienen convicción y actitud de sobra, una bandada de golpes a su reclamación, y toda una vida de terapia embalado en cada lanzamiento.

en el extremo, puede ser Paul Phillips que describen el volumen 4: canciones de amor & odio mejor: "suena como un Puddle Of Mudd record!"

¡No hay nada más "fácil peezy" que eso!
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